CLEAN

On the first page of Trabucco Zerán’s novel, the narrator, Estela García, offers a deal to the people who may or may not be on the other side of a mirrored glass pane: “I’m going to tell you a story, and when I get to the end, when I stop talking, you’re going to let me out of here.” Estela, it seems, is waiting to be interrogated in connection with the death of a girl, Julia, the daughter of a couple for whom Estela has worked as a housemaid for seven years. What follows is Estela’s account of her time as a domestic, from her responding to a want ad—“Housemaid wanted, presentable, full time”—to her experience working for the couple, whom she refers to as “the señor and señora.” Estela clearly resents her bosses—he’s a doctor, she’s a lawyer, and both are condescending snobs, chiding their employee for every oversight and expecting her to essentially raise Julia for them. Estela is painfully conscious of the class differences between her and the couple, and she disdains their family, “an unhappy little girl, a woman keeping up appearances and a man keeping count: of every minute, every peso, every conquest.” Estela talks for more than 250 pages, eventually getting to the story of Julia’s death, which is of course tragic but also (perhaps by design) anticlimactic. Trabucco Zerán has crafted an interesting narrative setup, but she can’t quite make it work—Estela’s frequent asides to her apparent interrogators (“Did I tell you about this?” “Do you see what I’m getting at?”) quickly wears thin, and the suspense never really materializes. Her treatment of the theme of class differences is shallow, and the character development just isn’t there.